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BIO
A
National Endowment for the Arts Fellow,
Anna Rabinowitz
has published four volumes of poetry: Present Tense,
The Wanton Sublime: A Florilegium of Whethers and Wonders,
Darkling: A Poem, and At the Site of Inside Out.
She has written the librettos for The Wanton Sublime, a
monodrama with original music by Tarik O’Regan, and Darkling,
a multi-media opera with music by Stefan Weisman. Darkling
excerpts have been performed in many venues, and a full-length
production ran for three weeks Off-Broadway. A semi-staged concert
version traveled to Europe. Darkling’s latest incarnations
are a CD from Albany Records, and a bi-lingual German-English
translation from Luxbooks, Weisbaden, Germany.
She has published widely in such journals as Atlantic Monthly,
Boston Review, The Paris Review, Colorado
Review, Southwest Review, Denver Quarterly,
Sulfur, LIT, VOLT, and Verse.
Her poetry has appeared in the anthologies, The Best American
Poetry 1989, edited by Donald Hall, Life on the Line:
Selections on Words and Healing, The KGB Bar Reader,
The Poets’ Grimm, Poetry Daily, and Poetry
After 9/11, Blood to Remember, Women Poets on
Mentorship, and Aftershocks: The Poetry of Recovery.
Anna Rabinowitz is editor and publisher emerita of the nationally
distributed literary journal, American Letters & Commentary
and is a vice-president of the Poetry Society of America and a
director of American Opera Projects.
Contact Anna Rabinowitz |